Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Thursday, 10 April 2014

Short fiction - The Man with the Typewriter

Hello again. Another day, some more time and another writing prompt. This time I've been over at Studio 30+ and it has been an age since I've written and linked there. I always get the prompt update emails and read quite a few, but this week time and inspiration have lovingly conspired and I am back with another story. The prompt this week is canned laughter. Thanks for reading and see what you think. 


The Man with the Typewriter

There was something in the way she had looked at him as she passed. Like he was a beautiful honeycomb, wondrous but untouchable. Turning, he knew she’d be gone by now, and she was: just the empty path dotted with leaves and shadows and the past. Jeff brought his feet together and raised and lowered his heels in the arriving evening chill. How long had he been sitting there, mulling over someone else’s words, another’s life? Too long.
He looked up towards the sky through the trees, growing violet as the late summer’s day eased into night. What would he do with his evening? What could he do, except contemplate what she had written, what she had offered? 
A faint shadow landed on him and didn’t move. Jeff looked forward, unstartled to see the woman from before standing there, like it was the only place in the world she should be. 
“Jeff Miller?” The most silent of whispers. 
He nodded.
“I thought it was you. I read your books. I know they are banned and all, but my father gave them to me and I –” She glanced both ways at the empty path – “hide them under the floorboards. I think they are wonderful. I wasn’t sure you actually existed, if you were alive. Still.” She added the last word and made it sound like the miracle it was.
“What is your name?” Jeff asked, and patted the bench beside him, offering her a seat, giving himself the chance of a real conversation. 
She shook her head. “I can’t. I am on my way to work. I remembered your face from a poster when I was a girl. I am so pleased to have met you and been able to thank you for your work. But I must go. I mustn’t be late.”
“Stay safe,” he offered, as she turned on her heels and made her way back into the past. 
For the past was ever present: in the letter he’d read that morning, his books, this woman who actually still read. He breathed in and out purposefully, remembering things from the day, trying to anchor himself to something other than his thoughts.
Before the sirens sounded to return home, he got up and left the park. The streets were almost empty and he preferred them this way now. For he didn’t trust people, they were different, abiding and numb. 
Back in his room, in the basement, he lit candles and settled into a chair. On his lap, his old, trusted typewriter. At his side, a stale glass of water. He would save it until later, but it was always better to use the taps before dark. He couldn’t remember why. 
I will come, he typed slowly, methodically. I don’t know how yet, but I cannot exist in this world. I should have left with you, but I thought, naively, foolishly, that what I was doing, my words, they could push back the tidal wave. Now I am resigned to this tiny room, obscurity and the generous turning of the cheek of my landlord. Today I met someone who could read and not only that, read my books. Darling, it wasn’t enough, for we couldn’t talk. All those words and all I can do now is say it was for nothing. I am now an imposter in this life, an extra piece of the puzzle, canned laughter, an autocue, a fake. It is heart-breaking. I must leave, and finally - A tear dropped in between the keys. I will see you again. My always love and bitter regret, Jeff. 
His fingers hovered. There was always more, but it would have to wait until the words could be spoken. He laid the typewriter on the floor next to his feet and leant back, linking his fingers across his belly and closing his eyes. His world hadn’t been what it should have been for a long time and he sighed. 
       Tomorrow he would call on the postman. He smiled: they didn’t believe in real post. Paper was limited and not many could read, let alone write. He may have been a dreamer, a young fool, but now he had more weapons than all of them out there. Words. He was ready to plan his escape. 

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Sunday, 16 September 2012

Where do we go, really?


There are people who come back from a long weekend in, for example, Madrid, and say, "We've done Madrid."

Really? How? Oh, that museum and that famous tapas place and coffee in that square and that park and that fountain and that palace. No, you haven't done Madrid. You haven't tried to pay your phone bill in Madrid. You haven't protested there. You haven't wondered how you're going to get back with all those bags from the supermarket. You haven't got on a bus and realised you don't have enough fare. You haven't read the local paper from cover to cover. You haven't looked churlishly at someone because they come from a certain neighbourhood in the city. You have visited. You've had the pleasure of stopping by.

Because that's inevitably what we have to do when we travel. Glimpses and mouthfuls, dances and strolls. One croissant, one ruin, one hike, one painting, one smell, one song, one bite, one look. We want everything, instantly, all of the time, it's so easy to live without smelling the flowers when we travel. Then again, that's why it's called travelling places and not living in them. You've got to grasp as much as you can. You've never "done it".

That's why books written by brilliant writers are so fabulous. You can travel to places and live there, side by side with the inhabitants. You smell their smells, you breathe their air. The rusting cars, the torrential rain, the annoying neighbours, the slow post, the trees that grow by rules of their own: they are all yours as well. You wander their dusty streets, you taste their golden chickens, you are afraid of their brutal policemen, you sleep with their smell of jasmine.

Right now, I am travelling in Columbia with doctors and photographers and women with broken hearts in García Márquez's Love in the Time of Cholera. It is a place you read about and feel on your skin. I was there the moment early in the book that I read this:

In summer an invisible dust as harsh as red-hot chalk was blown into even the best protected corners of the imagination by mad winds that took the roofs off the houses and carried away children through the air.

Who wouldn't want to live in a place like this? Who wouldn't want their imagination opened by that dust and watch children flying past as their window as they make lemonade? It's a place where the tinkling of the piano reaches your ears between the turning of the pages; a place where in your own siesta you dream of swimming in its rain. There is time for you to be awakened by sadness too.

I would like to stumble sweaty out of an Egyptian pyramid, to pull faces at the pong of geysers in Iceland, to drink tea listening to the quarks of parrots in Costa Rica and to follow a shark-shaped shadow under the waters around Australia. Maybe one day I will do those things and maybe I won't. But I am comforted by the fact that someone who loves words, somewhere, has written about those places and I can live there too by opening their book.